Sunday, June 5, 2011

Nocturne: buildings opposite; paintings of cities in Britain

Nocturne: buildings opposite, oil on card, 9 x 11cm  SOLD

I started painting this in a pointellist style, then decided this was much too fiddley for the effects I wanted, and repainted it entirely in a broad strokes. Sometimes the best methods are obvious, but my instinct to fiddle- to seek to justify myself leads me astray.

On the other hand, however, it can be argued  that the initial phase was a necessary exploatory corollary to the latter, broader and rapid painting process.


Cities viewed depicted from above are a visual summary of a place: a speciality of T|urner and later ofKokoshka, both artists who travelled widely. It's nice to have this massive scale as a constrast to closer views. Of course it helps enormously if the city being portrayed has hills nearby, or, if the artist has access to high buildings.

I am thinking of trying to paint London from either Crystal Palace (where I have never been before), or from Parlianment Hill. Then, Edinburgh from Arthur's Seat, Carlton Hill, from the Castle, or the Braid Hills, Glasgow from the Necropolis (well worth a visit in itself) and Aberdeen from either Kincorth Hill or, if I can get access, one of the high university buildings.

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