Wednesday, April 18, 2012


I'm playing more with the idea of making fragments deliberately, chasing Rodin,(and the whole of modern sculpture I guess). And chasing the idea of work which is non-monumental, intimate small work, whose strength lies in ambiguity, almostness and allusion. I'm making animals but trying to avoid the sweetness that this often seems to necessitate.

At what point does a work of art become so slight, so quiet that it ceases to be a work of art, and remains a dormant affecting no-one? Is there a minimal level of physical intervention?

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