Final day of the Pre-Christmas Sale

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This is the final day of the Pre-Christmas sale.

All the pictures labelled pochades are for sale. contact me in the next 24 hours if you are interested in obtaining any at the special reduced price of just 70 UK pounds each. 


Today's features selection is mainly from 2016 and includes some nice work from New York, Morocco and Peru.

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 Please contact me with any enquiries: Tadeusz598@yahoo.co.uk

 ...or call me on 0055 48 9967 3041. I am on Whatsup.

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 Cusco, a lane  oil on card, 12.5 x 11 cm 2016

 Flowering tree branches oil on card, 12.5 x 9 cm 2013

 A man walking in Santa Monica, 14 / 13.5 cm, oil on card 2012

 Trees, Hudson River Greenway, N. Y. Oil on card, 12.5  x 12.5 cm 2013

 Marrakesh, a yard oil on card, 13.5 x 16.5 cm 2014

This one (above) always makes me think of Philip Guston.

 Tree, Rua Linhares, Trindade, Florianopolis oil on card, 13 x 10.5 cm

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Ingleses, sea, late afternoon oil on card, 13.5 x 11.5 cm, 2016

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A Moroccan Adventure: Marrakesh

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Marrakesh is quite flat, dusty, peach coloured and dry. The buildings are low and the layout is incredibly confusing: there are few street signs; the souks are labyrinthine and there are no high buildings to use as visual references.

So getting lost is inevitable. But as the city is not enormous this is no great tragedy.

When I arrived in late February there were few tourists and it was most enjoyable, a month later it mas much too crowded and had a somewhat frenetic atmosphere. The city has few cars; and many artisan workshops and provides endless subject matter for painting.

I was hassled much less frequently, and less aggressively in Morocco than in my trips to Tunisia and Egypt where both trips were marred by people pestering me with offers of camel rides, hotels, taxis and items for sale.

I love painting from roofs, and from above, the falcon`s view:

 From the hotel roof, oil on card, 11.5 x 15 cm  NOT FOR SALE




This was taken by Gallery 5595 in lieu of commission for the Porty Art Walk exhibition with Jane Rutherford. Others went to  Rose Issa.

From the hotel roof  (with mosque), oil on card, 14 x 15.5 cm  available

The city is very coherent aesthetically, with very cubic, peach or ochre buildings, nearly all two or three stories at most, everything dusty or bruised:

Building with a phone box, oil on card, 17.5 x 15.2 cm   SOLD

A lane, oil on card, 16 x 15.5 cm   SOLD

This was sold as part of the Artists Support Pledge Scheme in June 2020

A yard, oil on card, 13.5 x 16.5 cm -  available

 A yard, above, makes me think of Guston, rather.

There was a successful run of paintings of Marrakesh`s huge market square:

 Cart and market, oil on card, 14.5 x 15.5 cm

This, above, is one of the best pictures I have ever done, I think.

Little mosque in the market square, oil on card, 14.5 x 15.5 cm   SOLD

 Marrakesh with the mountains beyond, oil on card, 15.5 x 13 cm  SOLD

Market, oil on card, 15.5 x 18 cm

Marrakesh is well served by parks and gardens:

Entrance to a park, oil on card, 14 x 17 cm - unavailable

There are endless shops and artisanal workshops, all wonderful for painting. Marrakesh is touristy, but much less mediated than places in Europe, and therefore considerably more alive.

Some shops, oil on card, 15.2 x 18 cm - available

A street near the hotel, oil on card, 13.5 x 18.5 cm - unavailable

Street selling cloth, oil on card, 15.5 x 12.5 cm  - available

A brickyard, oil on card, 14.5 x 15.5 cm   SOLD

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Flowers, Vuillard, 12 x 12 x 12

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Flowers, oil on card, 8.5 x 12 cm

There was a big Vuillard show in in London some years back at the Royal Academy, and I kick myself for not having gone- though in truth these large shows have become increasingly unpleasant because of crowds. 

The last of these blockbusters that I went to weas Turner, Monet, Whistler and it was more or less impossible to enjoy the work because of the bus station atmosphere.. I don`t know where all these people have come from, exhibitions didn`t seem to be so tremedously popular in my day. I am dubious that they illustrate a surge of interest in the arts- most museums and galleries remain blissfully quiet most of the time.

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I have decided to work on a series of pictures about the apartment, and the things in it for Jim Mendola`s monthly `12 x 12 x 12 event- which is mainly a music thing, but which is open to other media.

 As I envisage them, these pictures will stylistically and thematically extend from yesterdays carafe and today`s flowers to describe the atmosphere of the apartment and who I am: a sort of autobiography in objects- van Gogh meets Guston and Vuillard at a party and they start talking in low voices.

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