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Painting, drawing, films, stories, travel and other odds and ends
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Today I started using a tube of Manganese blue, a warm blue, i.e., slightly greenish. I see this colour has been discontinued for heath reasons and is now Manganese Blue hue. I also used Viridian, a dark, bluish green. Both are quite lovely, and slightly outside my comfort zone.
They are easier to mix than I had imagined, not bullying the other colours or staining the palette as, say, Phthalo Blue so notoriously does.
I have about another ten new colours to try, all from Winsor and Newton's artists range and I shall work through these over the next few weeks,
A big advantage of working on a larger scale is that one can experiment more with colour, including by cross-harching or scumbling for a vibrant effect, and one can vary the textures used more too. I shall grow larger in the next six months or so.
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The sky was so dense and the sea a beautiful mint green.
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I believe the sunset would be more striking seen from near Santo Antonio, and I shall go there shortly.
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My old art teacher from Hazlehead Academy, Alexander Hamilton, would say, and I generally agree, that some subjects should be avoided because they have already been so often visited by other painters that an original response is impossible and one`s painting will, inevitably, be hackneyed. Usually sunsets would be included among such prohibited subjects.
But while agreeing, I admit that the pleasure of watching and capturing in paint a sunset is immense.
Ergo, I continue...
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Photo
The camera- a Lumix DMX - has certain baises, and dislikes certain colour contrasts especially where pinks meet greens. I messed about for ages in the editor and never hit the nailhead. Well, I think it is more or less right.
Painting
I loved painting here. The sun was not too tyrannous, and I could perch myself on a little knoll above the sands.
I finished before the late afternoon light comes raking in sideways- quite glorious to see- and I shall return today to see if I can capture this. I usually avoid going the the same place on successive days (does that make me sound rather like a serial killer?) as I benefit from having a fresh impression but I shall, exceptionately, break this rule.
I have been working on a larger scale and this allows more spacious painting, with looser brushwork- most enjoyable.
Black
I have also re-introduced black to my palette.
Thanks, in part to the Impressionists many painters plein air painters avoid black as the Impressionists had argued that black doesn't exist in "nature" and they held fidelity to nature as a high value (as if painting itself exists in "nature").
But, I'd avoided putting out blacks for a long time not because of reverence to the Impressionists but becauses they so readily pollute other colours on the palette, and all the mixtures can become greyed out.
I am trying to use it discreetly.
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