Showing posts with label Poussin. Show all posts
Showing posts with label Poussin. Show all posts

Thursday, April 1, 2021

My sleep



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Boats, unknown artist, bought on West End Lane 25 years ago



My Sleep


I wanted to write about my sleep, about what might be going on there, because I haven't had a dream for a long time, not for years, and I guess that might be interpreted as the death or the dying of my unconscious mind. Perhaps, you might argue, I've evolved into this super-conscient being, whose mental workings have no mystery. But the decisions I daily make or fail to make suggest you would be wrong.

I also wanted to tell you about my bed, and then I started to think about how it would be to see a photograph of myself sleeping and how creepy that would be. To see myself lying asleep would be to see myself vulnerable to attack, my body unwilled, corpse-like, down there. Part of what makes that thought disturbing is, I confess, that it has a whispering allure, as at times I do indeed wish I could rise from my body and see myself my own form, dead, spent through.

That isn't a constant desire, but can rise when life is wretched. I suppose such trains of thought should be controlled as they might lead to rather unconstructive attitudes to life's travails.

One thing about sleep is that although it's a physical necessity, you can't force it: it has to come voluntarily.  It's as if there are are two of you. There is one that declares it's bed time. This one has to make it as easy for the other part of you, a younger, occasionally rebellious part, to concede to sleep. Sometimes the younger part gives up easily. But if they aren't cooperative you can't force them.

You lie, probably a sprung or foam mattress covered by a sheet of cotton, with one or two further items of raised padding, called pillows, to support your head. Then, there is a blanket or duvet. And there you are passive within cloth with, ideally, only your head or one arm protruding from that envelopment.

You're in there, your head pressing  into the pillow, then you close your eyes and try to ease your mind, letting any conflictuous moments from the day fade, and you push away any hopes or aspirations so you are humble, desire free, and your passage into sleep can proceed without rupture. 

If you start thinking about girls in black stockings and negligees or some other sex thing then it is better if it is a memory of a successful encounter than an ambition. The memory can reassure that the world is benign, but the ambition will excite and render sleep impossible as you lie, hopeless, speculating about how you might contrive an apparently chance meeting outside a supermarket and where that encounter might lead. 

But if that process, that embarkation, is overlong and you're hanging around for ages it is sensible to give up, to return to the state of will and rise from the bed. You can iron shirts or arrange your postage stamp collection, perform some quiet, monotonous but ultimately purposeful task. 

Myself, I have arranged all my bookshelves according to colour of the spines. There is something especially pleasing about the row of black books. 

The sleep I want is dense,  rapid asphyxiation.  I want to be taken into a landscape by Poussin. I want serpentine paths weaving through forests of giant beeches and a lazy fisherman sleeping by a brook.  I want distant mountains and grand stillness broken only by the wisps of smoke from a dying campfire. I want dark red brown shadows and chrome green and flashes of scarlet toga and cerulean blue sky and cartoon clouds and the occasional satyr, playing a woody melody.

 I want lostness, dreamland, a place without or decision or shame.


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Read to the Albuquerque Creatives, 5 April, 2021 and Metro Detroit Writing Workshop, 7 April, 2021

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Saturday, December 17, 2011

The mountain, Palhoça; miniaturism

The mountain, Palhoça, oil on card, 11.7 / 14.7 cm

Palhoça is one of those towns on the periphery of Florianopolis, like so many satellite towns in other Brazilian cities, so undistinguished that is it difficult to know quite why it exists.

But there is the mountain: undeniable, like the mountains in Poussin, rendering all below to insignificance.

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Further thoughts on miniaturism, and small painting- notably the observations that the act of painting small seems happily to place one in opposition to bombast -as I write, as my country idiotically flings money at that costly, grandiose, pea-brained extravagance called the Olympic Games, giving good taxpayers money on ephemeral kitsch while cutting vital assistance for people with severe disabilities.

More pertinently, have not most art lovers at some point in their pilgrimages found themselves wandering with  dulled eyes through vast chambers in European Galleries and Palaces, uncharmed by endless rows of joyless gigantic Baroque paintings, extolling this or that official virtue, lined up in great halls in European galleries and palace, to find themselves suddenly delighted by a small and intimate painted voice?