Two weirdos having a conversation

Two weirdos having a conversation

A pen and ink drawing, about 7 cm on its longest side.

Four drawings

 A fop with a tail

 A man like a beetle

 An elephant in a forest

A trumpeter on a hillside

Four more small drawings- an edited selection of drawings will be given to Jim Mendola`s 12x12x12 monthly creative event.

The Writer

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The Panty-thief, Pen and Ink drawing, 10 x 12 cm

He excuses himself at dinner to go to the lavatory. He walks up the stairs along the corridor as if to go to the lavatory but passes it, instead finding his way to your and your wife's bedroom door. He pushes the door: it swings open: no-one there. He can hear the voices: distant laughter from the dining room downstairs.

He enters: trepidation. A sudden creaking of the floor under his shoe makes him jittery. He sees the chest of drawers on the other side of the bed, so far! He walks round the bed to reach it then, after pausing momentarily, pulls open the top drawer, peering inside. Yes!, he sighs, relieved. He sees a gorgeous array of costly pastel silk and lace: your wife's knickers. His palms are damp as he hurriedly selects a pair. He cannot resist stroking his delirious cheek for a joyful second with those panties before placing them in his side pocket, then scuttling from the room. He stops at the bathroom briefly before descending.

He returns to the the dinner table. You are entertaining the other guests with an anecdote about one of the directors of your company and scarcely noticed the guest's absence. He is a small, nervous man: insignificant. You do not sense that he is breathing heavily, nor see the beads of perspiration on his forehead.

Who is he? He is a contemporary novelist or a journalist, probably an Englishman.

Trees

The paper was rather small, barely much larger than A4, so next time I'll get a bigger piece, probably A1. I felt cramped when working so small and I feat the image seems cramped too.

I really need a little table too: it's uncomfortable supporting the board on ones knees.

The thing is to be to know which elements to exclude: to aim for simplicity and concision: you have to take your time, to have a plan, so as not to be overwhelmed by nature's abundance. It takes enormous concentration and I'm not surprised the Chinese masters would pray before working.

Evidence of the gesture lends energy, but shouldn't obscure description- there has to be a tension between illustration and abstraction.

It's important not to panic when things don't quite go right, but almost impossible not to.