A poor, one-legged farmer is hired, among others, to escort a gangster to a prison train: they have some difficulties because of the gangster's extraordinary powers and the persistence of his gang.
Everyone is grumpy except for Russell Crowe who tries to be friendly to the farmer and his son.
The film is nicely shot but goes on and on, becoming enervated, lacking the wit needed to lift it.
A clever girl wins a place at Harvard to do journalism.
Unfortunately, her mother irritates her and her parents divorced many years before: these things have somehow made her into a narcissitic little worm, given to depression.
The film illustrates the commonplace that the central character to a film, however wicked, has to have some redeeming characteristics- even Hannibal, in Silence of the Lambs has charisma, wit and a definate sense of style- or the viewer will rapidly lose interest
The Wurtzel character here is merely a capable scribbler- this isn't enough to compensate for her being quite so boring and brattish, and I couldn't get beyond the first half of this one
A man steals some money and, before he is given the death penalty, tells his young son to keep it hidden and its location secret.
A dishonest preacher, having shared a cell with the thief, knows about the money, but not where it is hidden. On leaving jail the preacher inveigles his way into the thief's widow's life, marrying her, with a view to locating the money.
The film is imaginatively shot and not humourless despite its dark themes. The acting, even of the children, is excellent.
A considerable amount of time is given to the role of women in small town society, and their relations with alternatively charismatic or subservient men. The film also dwells largely on the uses of scripture and of religious values.
I studied painting at Edinburgh University and Edinburgh College of Art in the 80`s. In 2002 Tadeusz won the Dedalo Award and, in 2016, the Anne Redpath Painting Award for a painting exhibited at the Royal Scottish Academy.