Tuesday, July 17, 2012

Egypt, London, Scotland 2013

Egypt: it makes sense to go in late January, so, I'll try to sort that out- It'll be much like the Tunisian trip, a maximum of 4 locations, quite concentrated, twenty days. I can visit London and Scotland too.

I have some reservations about street hassle and general nuisance. In Tunisia it was tolerable- unpleasant but tolerable.

Sunday, July 15, 2012

A drive to Itapiranga


Rows of houses, Itupiranga, oil on card, 16 /16 cm  SOLD







The small towns here offer, I think, a very pleasant lifestyle for those with limited ambitions- the climate is sometimes cold, but never really inhospitable. The landscape is truly idyllic. The people are friendly and and their towns are probably quite safe: children play and ride their bikes in the streets, the air is clean, and you don't see the grotesque poverty that dogs much of the rest of Brazil.
 
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I think this set is strong- varied and purposeful. The first is a little conventional perhaps, but not so much so as to be dull. Most of the time one produces work that is mediocre, necessarily so, perhaps- so is important to take satisfaction when one does occasionally get the ball over the net.

Tuesday, July 3, 2012

A trip to Serrana, Sao Paolo

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Serrana, evening, oil on card, 7 / 10 cm - available




Serrana, a lively little town near Riberaõ Preto, where I passed the weekend. The town hasn't yet seen the incursions of shopping malls, condominiums and car culture.

Tuesday, June 19, 2012

White chrysanthemums 2

White chrysanthemums 2, oil on card, 13.3 / 11.5 cm unavailable


Painted over a couple of days, and something of a struggle.

Saturday, June 16, 2012

A drive to Urubici

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 Urubici: looking up a street, 9am, oil on card, 12 / 14 cm   AVAILABLE




Landscape overlooking Urubici, oil on card, 13 /13 cm - unavailable

 


 
Street, Urubici, oil on card, 13.3 / 9.5 cm - available through No 31 Gallery





 Five from Urubici, with wristwatch for scale.



I spent a day or so painting in Urubici, a place I love, and which seems happily free of Florianopolis's trashy Barbie culture.

The curvaciousness of the landscape invites Art Noveau designs.



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Monday, June 11, 2012

White chrysanthemums

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White chrysanthemums, oil on card, 12.5 / 15.5 cm  AVAILABLE


Another in the occasional still life series. 
Flowers are surprisingly costly here.



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Friday, June 8, 2012

The Jubilee Day


It's night. We stand in the black sodden garden, brought there by wailing.

I wear had an overcoat over my pyjamas, muddy rain seeping into my slippers.

Lawrence has come out too.

On the ground is is a wet figure, kneeling, weeping, over his hole.

 "What is the matter with James?" I ask

"It is his hole. It has become wet", says Lawrence, matter-of-factly.

"Why didnt he bring the hole inside?" asks a female voice- Teresina emerged, in a damp nightgown.

We stood pondering Teresina's suggestion and James's mental condition.

After a while we realise there is nothing we can do and return to our beds. I sleep heavily. In the morning we sit at breakfast, looking from the breakfast room to the garden where James's form still huddles by the hole in the garden.

"I dont think he is all right," says Lawrence.

So we file down to the hole. There a wire leading from him back to the house, and we hear the quiet birring sound of a hairdryer. He is drying the hole.

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It is the day of the Diamond jubilee. We hoist a Union Jack on a tree. The staff found it in a cardboard box a little tattered but a Union flag nonethless. Nick Parker climbs up to perch in the tree beneath it.

We stand in a ring, quite solemn. Make a speech, says Lawrence, nudging me.

"Wonderful Queen," I say.
"Yes, congradulations Elizabeth!" say the others.

The staff bring some wine and we get drunk. Everyone is very happy. Rain speckles our faces.

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This  is another in the series of related stories, which can be found using the label, " The Beasties".