Tuesday, February 11, 2020

A trip to Chile: Puerto Montt and Puerto Varas

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Puerto Varas, motorcyclist, oil on card, 23.5 x 23.7 cm unavailable




Puerto Montt and Puerto Varas


Puerto Montt is a ghastly place: quite filthy, with abominable architecture. It straggles round a bay then crawls over some hills behind. The place reminded me of Brazil in its crappiness but it has colder weather. The shops are full of rubbish and everything is covered in graffiti. Unhealthy young men hover along the sea promenade like so many stray dogs.

The buildings of most interest- the unusual wooden neoclassical cathedral, and the Gothic church above the town- are both inaccessible: the first because it has been boarded up to avoid damage from the ongoing protests (as have almost all the major buildings, giving a wartime atmosphere to the place); the second because it is in the grounds of a private school and, no, the porter does not have a key to allow access. There is also a colourful theatre, but it was closed.

In the town square was a rock band making a brutish noise. I couldn't find anywhere trustworthy to eat so I went to the Macdonalds. Yes, I appreciate that some might find irony in that sentence.  The windows had, of course, been boarded up, so it was like sitting in the hold of a ship. There were a few black people there and I thought that the town had many more black people than I had seen in other places in Chile. 

Later that evening I went to small concert in the art centre which was nicely performed by some hippies, including a pretty singer with a prominent overbite. I wondered how such people could live in Puerto Montt, they seemed so refined with their cellos and mandolins . There were eight people in the band and eight in the audience, including me.

It was dark after the concert and I was worried about getting robbed- like many ports the town has this underlying atmosphere of violence. Besides, protesters, masked and dressed in black, had begun burning stuff in the town square- a filthy smoke drifted about. 

To get around the town you can use shared taxis which you flag down in the street, and I took one back to my bed and breakfast.which was in a slummy area above the town, an area desolate with rubbish strewn here and there and where some stunted trees suffered ceaselessly under a continual wind. My bed and breakfast was run by a couple who were at first solicitous and friendly, then over-solicitous and over friendly, to the point where I began to feel oppressed at breakfast. Anyway, these taxis feel more intimate than buses, and stop where the passengers ask, so you end up sensing this closeness with the others in the car as you hear their voices softly give instructions to the driver and discover where they live. 

Somewhat disturbed by Puerto Montt, I chose to spend the next day in Puerto Varas, a much smaller and considerably more upmarket town on a lake just to the north. I went by bus, as did an evangelical preacher who stood at the front of the bus preaching the entire fifty minute journey.

Well, Puerto Varas is not especially interesting for more than an hour. And all the restaurants there are extortionate. In one of them I ordered an extremely expensive sandwich from a pimpled adolescent with an apathetic manner.  But the lake views in Puerto Varas are pleasant, and I did a good painting and spoke to some Danish people.

I know it sounds weird but I must confess that although I found Puerto Montt vile in many ways and wouldn't recommend it to anyone, it did impact me in a peculiar way akin to affection. I am drawn to shabby awful places, I don't know why. 



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A trip to Chile: Valdivia

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Valdivia, a residential street, oil on card, 23.5 x 28.6 cm
(picture since damaged and discarded)






Valdivia is rather a jewel, hilly, with lovely coloured iron buildings and a beautiful river. There isn`t much to do there, really, but it`s very nice to wander around in. I stayed in a very nice place which with it`s high ceilings and old wooden fittings, sometimes brightly painted, reminded me of interiors in Edinburgh. The weather was cool.

 The town is quite friendly.

My picture takes something from children`s book illustration. The town has sometimes a certain toy-town feel.


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Thanks to Eugenia for chaperoning me in Valdivia.




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Monday, February 10, 2020

A trip to Chile: Melipeuco, part 4, a road

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Melipeuco, a road, an itinerant, oil on card, 29 x 23.5 cm SOLD




One of the most successful of the trip- though I must say that I`m happy with the work overall. There`s a big van Gogh influence here, of course, and maybe also something of Gillies. 

It`s funny how sometimes pictures just come together, at other times the thing limps along. It`s quite unpredictable, even after years of working.





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Sunday, February 9, 2020

A trip to Chile: Melipeuco, part 3, late afternoon

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Melipeuco, late afternoon, oil on card, 21.5 x 24.5 cm - sold





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Saturday, February 8, 2020

A trip to Chile: Melipeuco, part 2, a mountain

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Melipeuco, a mountain, oil on card, 28 x 23.7 cm
(picture damaged and discarded)







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Thursday, February 6, 2020

A trip to Chile: Melipeuco, part 1, a misty day

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Melipeuco, trees and shrubbery, oil on card, 23.4 x 19.4 cm  unavailable





Melipeuco,a misty day, oil on card, 18 x 24.6 cm




These are the first from Melipeuco, which is a small town, close to a national park and not very far from Argentina. I`d come here again: it`s varied and pleasant. 

The weather was perfect. I had a bike to get around on.





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Saturday, February 1, 2020

A trip to Chile: Pucón, part 3, views just outside the town; travel and oil painting

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 Pucón, a hill, farms, oil on card, 24 x 30 cm- available through No 31 Gallery

This is one of the more successful of the trip. The larger scale allows for greater fluency. 




Oil painting and travel


A month trip, two sessions per day, is a good concentrated period to work through ideas about painting. It's a good time to learn about a place. I find that a longer trip tends to lead to some sense of exhaustion, a need for recuperation, for experiences to sediment and pass through filters. I work very well if the weather and location are kind. But I have never extended the trips beyond six weeks. 

There is also the lugging things around factor. You need no more clothes for two months than you do for a week. But with the paintings you will need to take more protective carriers so wet pictures can be transported safely. Oil paintings such as mine, which are thinly painted and pretty well without impasto need to be packed individually until a week has passed and then they can be packed together. Inevitably something gets damaged- it's wise to incorporate something of Wabi Sabi into your mental armory.

For me making art is better done alone. Human social needs and creativity can combine in performance arts such as theatre. But, for me, with landscape painting- at least the romantic landscape tradition that I am involved with- social needs and creative necessities sit in different zones. But it would be nice to have company at mealtimes, of course.

I had a thought that going all the way down, adding another month to reach Patagonia, might have rewarded me. The long thin shape of Chile cries out for a linear trip from hot desert at the north down to icy mountain in the south. But the costs would have become hideous: Chile is not a super-cheap option like Peru or Bolivia: a single room in in a budget place is about 25$. 

A separate Patagonia trip is on the cards, however.








 Pucón, a lane with children, oil on card, 28 x 21.7 cm -discarded



In retrospect, I find this picture a little overworked. I liked it at the time and perhaps I'll come back to liking it.






 Pucón, big blue hill, mist, oil on card, 19.8 x 23 cm discarded






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