Monday, June 7, 2021
Sunday, May 30, 2021
Thread
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Thread
I woke up with a thread attached to my toe.
By golly, what's this?
A white line went from my toe, down across the floor, round the corner, twisting past the leg of an occasional table then along the corridor to the dark entrance hall and under the front door.
I was in the t-shirt and shorts I use to sleep. I opened my front door gingerly. No-one about. I pursued, floor smoothly cold on my feet. Down the steps. Under the main door: I opened it, peering into the street. I couldn't see where it led. Should I go out like this? There didn't seem to be anyone about. But it's London. No one cares what you wear.
Different cold roughnesses: flagstones, then the texture of tarmac more insistent on my soles. I traced the thread as it skipped over the road past the corner store. A light breeze whipped through my t-shirt and shorts. But...few cars. I got across the road to the grassy area where the bus stop is, and a lady in a raincoat waited and the giant chestnut tree towered behind. I followed the thread with my fingers: it clung to the bark, moving upwards. No low branches: I couldn't climb. The thread disappeared into a maze above.
What the hell.
When your day begins like that you can easily become irritable: I decided not to. That's my philosophy, you see, bend like the willow. I wasn't going to follow that thread any further.
On return, I put water into the lower section of a metal thing that looks like a terrorist device and spooned coffee into a metal funnel which fitted into it. I screwed on an upper section with a lid and a spout and put it on the stove. Then...
Coffee! Yum yum! I set it down on the table next to the laptop and put some biscuits with the word:
N I C E
on them on a butter coloured saucer and opened the laptop and waited and the article I needed appeared.
Durability Assessment of Vacuum Cleaners, 2015.
I was part of V.E.M. Engineering's Strategy Team for Vacuum Cleaner Motors and Suction Mechanisms.
Looking down to the saucer, I mused, nowadays not one eats these sort of biscuits any more except me. I'd once asked the guy in the shop downstairs about this. He'd replied, "It's true. You are the only person in north London who buys these. I've never had one. Are they any good?"
"But why do you stock them?"
He shrugged. "They come from central office".
That's how things are nowadays, it's never clear who is responsible for anything.
I worked steadily. The coffee was bitter and rich and good as anything that has traveled 3600 miles from the bum of an Ethiopian goat should be. I sipped happily as I worked.
But at about 9.30 am came a knocking. It was the neighbor, a fat fellow. His face flushed: he was puffing having climbed the stairs. We had met, we would very occasionally greet by the mailboxes. It embarrassed me that I couldn't remember his name.
"Hi Carl," he said.
"Hi" , I said. "Caspasian."
"Ah yes." He was still breathing heavily, though there was only one flight between us.
"Caspar!"
"Whatever. You're Ja..? Jo..?"
"Neville! "
"Of course!"
"Well," he said, finally catching his breath. "It's the threads."
"Oh?"
"Did you get threads?"
"I think so," I replied, "just one."
"Well, we got more than one! Come and look. Blimey. It's crazy."
I'd never been in my neighbors' apartment.
"Come on in," he urged.
The layout was identical, but it was curious how different it was from my place: crimson flock wallpaper with gilt crown motifs and embossed curliques. The place was a sea of thread, but I could make out the vast pink Louis XIV sofa and the 8 foot four-poster bed. White threads covered their gigantic baroque television and obscured the tapestries so their unicorns and frock coated aristocrats could only just be seen peeping through. A white veil smothered the chandeliers: they cast a ghostly light.
A well-upholstered woman -presumably Neville's wife- from whose earlobes dangled sizable golden sphynxes, rubies and pearls appeared from the kitchen. Her eyes were red.
"Hi" she sobbed. "Have you seen? Dreadful. Dreadful. I call it."
"It's not ideal." I said, trying to strike a sympathetic, note.
"It's a crying shame" said Neville.
"Those tapestries were brand new. So was the four poster bed," moaned his wife. "Brand new!"
I pulled off one thread which clung to the gold fringe on a rococo lampshade. "It does seem to come off easily enough."
But they were too aggrieved to hear.
"How long have we lived here? Fifteen years. Nothing like this before. Whole neighborhood's going to the dogs. It's what happens when they let anyone in. Know what I mean?" sighed Neville.
"I'm not sure if it's fair to hold immigrants responsible, for this," I replied.
"I don't know," lamented his wife. "When you retire, Neville, we're definitely moving to Portugal".
"You know..." An obvious thought had occurred to me, "I have an industrial cleaner." In fact, I have six in my lab at V.E.M., waiting to be dissected. But I had managed to filch one "for more detailed study in a domestic context, as I had explained to my boss when trundling it out V.E.M.
Neville and I managed to get the mechanical elephant, down. The wife, whose name was Jacqueline, continued her weeping.. But it sucked well and Neville cheered up, exclaiming, "Yeee Haaa!", as he swung the hose around, and the cleaner's huge transparent tub filled white, and gilt cupids, Napoleonic wardrobes and a full size painting of Wellington on a rearing horse at Waterloo were liberated.
It didn't take long. Neville was laughing and trying to catch his breath at the same time, becoming exhilarated and exhausted. After hoovering the whole apartment, he collapsed on the purple velvet Empire style divan in what resembled a post coital condition, a sweaty beached whale, albeit a happy one. Meanwhile, Jacqueline appeared in rubber gloves and a duster.
"Oooof. That's one vacuum cleaner you got." After a moment to further recover his breath, he asked, "did you get rid of your threads?"
"Well, there was only one thread. It led outside."
"Outside? Like out the door?" asked Jacqueline, who had finally picked up.
Neville was now in a great mood. "We've got to get to the bottom of this. Where outside?"
Bits of the thread were still remaining in the street. Due to his corpulence, Neville was unable to walk many paces without stops but we traced it again to the chestnut tree.
The woman in the raincoat was still there.
"It's been here all morning. I've been watching it." She pointed. At first we could see just foliage or branches, though we could hear the sound of cackling laughter.
"There!" whispered the lady: high above from behind the trunk, a giant eight legged beast peeked.
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Illustration: Door, acrylic on card, 9 x 6.5 cm, c. 2001
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Read to Albuquerque Cyberscribes 7 June, 2021, Edinburgh Creative Writers 8 June, 2021, Astoria Group 8 August, 2021
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Friday, May 28, 2021
The War in the Study
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The War in the Study
Morning.
I entered the study: chaos. Business cards were strewn across the table. Pens had leapt out of their holder and were reeling around, Blu-tac had stuck itself to every available item it might: drawing pins, a pen top, a broken crayon. A notepad lay open, pages crumpled, violated by the glue tubes that lay astride it. A sellotape rolled, as if drunk, behind a pot plant.
"What on earth is going on?"
Silence.
"Well? I can't work like this. I wake up and everything's a mess. I need to get on with my reports! What the hell."
I directed my ire at the business cards. With their sophisticated logos and embossed letters, I thought they might feel some sense of responsibility.
"What are you doing here? Why aren't you in your container? You should know better."
An estate agent's card, carrying a huge eagle crest, replied, "Look, look at our home. See for yourself."
I looked at the container where the cards normally rested.
It was evident that the cards had been expelled from the container in the desk organiser- a set of three conjoined boxes, two suited for smaller items and the third for pens. Where the cards had been, was now occupied by paper clips along with three bulldog clips and a pencil sharpener.
"Who did this?"
"The paper clips, the pencil sharpener and the bulldog clips," replied the estate agent card, who I could see had been torn down the middle and was struggling to maintain composure.
"They have no respect for basic rights," added a second card, which came from a legal office, and which was a little bent.
"We have lost our home!" added a third card, which bore the logo of an industrial cleaners, but alas had been scratched.
I addressed the paper clips. They were grouped in the container where once the cards had rested.
"What is this?"
"Look," said one, resplendently dip coated in pink plastic, "They rented to us on a long lease, and now, all of a sudden, they want to return. They can't just come back like that, making demands. We pay the rent and it's ours for as long as we pay the rent. We belong here. We've lived here all our lives. We've got rights."
The other paper clips started cheering, "Our home, our rights, our home, our rights."
"It might be fine," added a big black bulldog clip, " for them to come back if they'd shown some respect. But there's discrimination. They think they're better than us just because they work for fancy companies. But it's us who do the real work here, holding everything together."
The second bulldog clip joined in, "Yeah! Stick it to the man!" The third added, "white privilege. That's what it is."
"They are a bunch of fucking snobs, " added an old, rather twisted clip.
Now the paper clips began another chant, "Fuck the racist business cards, fuck the racist business cards."
I was becoming quite dizzy. The chanting was horrible. And now the clips started to fling whatever they could find at the cards: staples and pieces of broken matchstick landed on or around the cards. A card representing my bank manager was badly marked but there were few serious injuries before I could move the cards to safety.
A red chisel-ended marker then entered the discussion, addressing all the stationery in loud voice.
"Look guys. Come on. You've got to learn to get on. We have to get on. Basically, we are all the same. We all serve him. Unwaged. Zero hours contracts. We need to unite. We need to get rid of these tiny compartments and boxes and have one big red compartment with equal rights for all and total freedom of movement."
Something flickered ever so briefly across the expressions of the stationery, the business cards and paperclips and adhesive rolls and pens and pencils, notepads and glues.
But I weighed in, ignoring the personal attack.
"Look, we tried that. And last time we tried...we all know what happened."
All went silent. The cards looked down to the table surface, and the paper clips stopped chanting and rioting and the marker pen stood up straight and didn't move. A notebook turned a page, solemnly.
I was bringing up "The Massacre."
"The Massacre", sometimes referred to as Black Tuesday, happened one dark night when the pencils found themselves put in with the pens and pencil sharpeners in a small cigar box: a massive act of naivety on my part. I was greeted the next day by the appalling sight of pencil shavings piled high spilling over the corners of the box, and the sharpeners in a ring, drunk, bragging.
The most awful thing about the incident -so the one surviving pencil, now a pathetic stump- had reported, was how the pens had hung about and watched, even cheered, as their brother writing implements were inserted into the cold metal chambers, turned and sliced and shaven to death by horizontal blades of razor steel.
Sometimes, I guess, it's the closest relatives who hate each other the most.
And that strange dry smell of shavings will never leave me.
An inquiry was conducted by an august Canadian fountain pen and an antique Swiss paper knife. Basically, everyone was guilty from the lowliest Bic to the rubber plant towering above. But most guilty of all was me for my sheer stupidity in letting it happen. And I know there are those, mainly among the pencils and their allies, the erasers, who think I knew it would happen and arranged the situation, either because I wanted rid of the pencils or because I was set up by the laptop. It isn't so. Please believe me.
I had to decide what to do about the current situation, which had dragged on for ages. I confess, at times, I'd found myself developing a "hang them all" mentality, and considered dumping everything on a charity shop. Who really needs stationery these days?
But I diligently separated the items. Yes, that was sad, a defeat for optimism, for the humanistic imagination. Sad to think that, in the twenty-first century when we have cracked the genome code, that humble pens and pencils are unable to live together, harmoniously.
There were protests. The red marker pen started shouting "apartheid state! It's an apartheid state!" and some of the pens, mainly the red ones, joined in, scribbling on the Post-its various slogans: "Down with the racist state" and "No to Segregation" which the black bulldog clips took to waving.
But I proceeded, nonetheless. I returned the business cards to the desk-tidy container. I found another box for the pencil erasers. The paperclips were sent to a slightly chipped china cup. The red marker was exiled to a bookshelf, next to Jordan Peterson for correction.
The black bulldog clips were locked in the desk drawer. I heard them shout as I turned the lock, "Hey fascist. They imprisoned Mandela too." "Oh shut up," I replied, giving the table surface a thump, but a stream of protest continued, "You can imprison the spirit but the mind is always free... The only prison is fear and I'm not afraid of you, cocksucker...Truth is on the side of the oppressed...Fuck the business cards... Fuck Capitalism."
The matches who, although relatively well behaved on this occasion, had a long history of making incendiary remarks, were sent to the kitchen.
Separation isn't entirely practical. And, however careful one is there is always going to be some mixing, and with mixing, some conflict. But, at least, now that conflict would be contained.
I wanted to get at least halfway through a report on vacuum cleaner dust penetration tests. It might be better to do this in the kitchen, I thought, as the voice continued from the drawer, "No Justice, no peace...No Justice, no peace!"
I went and made coffee and began my work on the laptop there.
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Illustration: acrylic on card, 7 x 5 cm
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Read to Albuquerque Cyberscribes 31 May, 2021 and Edinburgh Creative Writers Club, 1 June, 2021, Cornwall Writers Club, 2 June 2021, and Astoria Writers Group 6 June, 2021
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Thursday, May 27, 2021
Tuesday, May 25, 2021
Thursday, May 20, 2021
A story with a moral
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A Story with a Moral
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1.
Distraction and Melancholy
Very hot. The naked neighbor appears, as usual. But alas! The sight of her leaves Our Hero nothing but melancholy
10 am. June but unusually warm: sun raked into the window so forcefully that it was hard to see my screen. I peered and read Energy Star, Market & Industry Scoping Report, Vacuum Cleaners, November, 2011.
"The maximum suction power divided by the input power at the same point determines the maximum airflow efficiency (energy conversion efficiency) of the vacuum cleaner."
I was trying very hard, but hardly moving. stuck in the heat. My work session was coming to a close. I'd done almost nothing.
Air dense. Everything oppressive, strange. I leaned back and looked across at the apartment opposite.
My neighbor was drying herself in the window, as was her habit. She slipped on some blue panties. Desire. Giddy, heat and suffocation as melancholy pressed in.
She turned away, into the depth of the room. No more in sight, thankfully.
I breathed, I got up.
2.
Sardines on Toast
Consumption
I sliced some bread and put it in the toaster. I took a plate and opened a can of sardines, curling the metal back to show the fish crammed in merciless confinement, their faces frozen in screams of horror.
Had they cried out for help as their seas were invaded, and they were overcome by nets flung from huge black boats and transported many leagues to foreign soil? As they were weighed en masse, then flung writhing into metal holds had no one protested? And when they were sent with casual efficiency for mass slaughter to giant killing factories had their cries of anguish gone unheard? Or had some heard but turned away: workers following orders, good citizens trusting their authorities?
"Ding," said the toaster. Now, toast on a plate, buttered. I got the sardines out with a knife, crushing them onto the bread.
It was so damn hot I could hardly eat. Stillness. Air dense. Laptop silent, the report on vacuum cleaners heavy. Lethargy.
3.
Bed
Rest
I lay on the bed. Overcome, I began to sleep. I did not wake for many hours.
4.
In the ice cream parlour
I take to the Paris Cafe to consume ice cream. Tom appears.
The Paris Cafe has been there since the turn of the last century. It has the furnishings typical of that epoch, sinuous dark wood, mirrors engraved with floral motifs and deep red banquettes. It serves French Brasserie standards: Coq au vin, Moules Frites, Sole Meunière, Tarte Tatin, Profiteroles, Crème Brulée...
It also serves a range of ice creams:
Knickerbocker Glory: Ice cream, jelly, fruit, and cream, topped with syrup, nuts, whipped cream, and glace cherry
Banana Split: Banana, chocolate, vanilla and strawberry icecream. crushed pineapple and morello cherry
Eton Mess: Meringue, strawberry and strawberry ice cream
American Parfait: vanilla yogurt with strawberries and blueberries. With a granola topping
Mimosa Float: White chocolate, sherbet and Champagne
Hot fudge Sundae: Vanilla ice cream, hot fudge sauce and nuts
The Amalfi: Lemon sorbet and milk gelato with whipped cream, candied lemon, crushed meringue, lemon sauce and sugared rosemary.
*
I heard a familiar voice: Tom's: "How did you discover this place, you little sneak?" Is this where you bring your girls? I'm going to bring mine here."
But there was no need for that as shortly entered two young ladies.
5.
Two Marys
We meet two unusual young women
6.
In the Garden
In a private garden square, Mary makes a passionate plea on behalf of our readership
7.
And the moral of the story is...
We reflect
The girls called taxis and off they went.
"Well?" I said.
"Well what?" said Tom.
"Are you prepared to change?"
Tom laughed. "Fuck that, I'm having too much fun. And if the readers don't like us they can piss off."
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Illustration: Acrylic on board, 6.5 x 9 cm, c. 2001
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Read to Albuquerque Cyberscribes, 24 May, 2021 and Edinburgh Creatives 25 May, 2021
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