A roll of masking tape on a trestle table, an apron strap

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A roll of masking tape on a trestle table, an apron strap

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Two pigeons- it's time to go to jail

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Two pigeons- it's time to go to jail

1.

2.

3.

4.

5.

Five photos recording  about two minutes in Canasvieiras today. 

The pigeons exhibited a good degree  of companionship, arriving, walking, pecking and leaving together. 

The brevity of their visit makes me feel that perhaps they were disappointed in what they might have found, or not found, on the street.

The graffiti in 1. states Ta  na hora ja ir pra cadeia - it's time to go to jail- and almost certainly refers to former president Jair Bolsonaro.

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As Gatas Chinesas- The Chinese Cats- exhibition poster

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As Gatas Chinesas- The Chinese Cats- exhibition poster from 2007. 

Attendance at the exhibition was extremely poor.

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Templates used to produce invitations to an exhibition at The Blue Elephant Theatre, 2002

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1. Image taking from a painting Drinking and Smoking Again.

2. Image taken from the painting Such Indulgence

3. Image taken from an untitled monotype

4. Image taken from Drinking and Smoking Again.

Templates used to create invitations to an exhibition at The Blue Elephant Theatre in 2002. EEach is about A6.

My exhibition resulted from my success in a competition inviting people to exhibit.

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The Strange Towers, invitation to Caroline Nonweiler's gallery in Crouch End, 2002

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The Strange Towers: invitation to Caroline Nonweiler's gallery in Crouch End. 

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The Ideal City - an invitation from 2002

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Exhibition invitation to The Ideal City at P.O.S.K. in 2002

This exhibition of monotypes was in Hammersmith at the Polish Cultural Centre, and included the launch of John Eccleston's excellent short story, The Ideal City, in booklet form.

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A Russian Play - an invitation from 2001

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"A Russian Play", at the Metro Cinema - A6

Here is the invitation from this exhibition, in London's Metro Cinema, which closed in 2004.

 The show featured paintings and monotypes.

W. J. Eccleston's excellent short story- The Vicious Pixie was distributed at the opening in booklet form. 

The painting title came from Gershwin's But Not for Me, which I know from Chet Baker's version:

They're writing songs of love, but not for me

A lucky star's above, but not for me

With love to lead the way

I've found more clouds of grey

Than any Russian play could guarantee.

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