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Painting, drawing, films, stories, travel and other odds and ends
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Today I started using a tube of Manganese blue, a warm blue, i.e., slightly greenish. I see this colour has been discontinued for heath reasons and is now Manganese Blue hue. I also used Viridian, a dark, bluish green. Both are quite lovely, and slightly outside my comfort zone.
They are easier to mix than I had imagined, not bullying the other colours or staining the palette as, say, Phthalo Blue so notoriously does.
I have about another ten new colours to try, all from Winsor and Newton's artists range and I shall work through these over the next few weeks,
A big advantage of working on a larger scale is that one can experiment more with colour, including by cross-harching or scumbling for a vibrant effect, and one can vary the textures used more too. I shall grow larger in the next six months or so.
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Today I used Cobalt Green, a lovely dark coppery colour by Winsor and Newon; I mixed it with Kings Blue- a Harding colour.
The painting has a very conventional composition.
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This was from the Tunisian trip ten years ago, and for some reason wasn't catalogued at the time.
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