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Lagoinha do Norte, morning, July, oil on card, 30 x 28 cm available
Lagoinha do Norte, morning, July - detail
The paintings are growing steadily larger and this means that colour effects- whether harmonious or otherwise- become more obvious. It makes me think my colour is very brash. But perhaps I am simply over-sensitive? At what point does bright become brash?
I love the freedom of movement that a larger format gives, especially with scumbling and other brush marks.
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This camera, a Lumix DMC-1X7 is not good at registering certain contrasting colours. There's a peach colour in the picture that is not effectively shown here.
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