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This is the second of my painting trips here- it is not really so far, but it's often windy, and sand and paint make an unhappy combination so I hesitate before coming.
But it's a striking location giving an extraordinary view of two bays from a variety of heights formed by dunes and strange hillocks- the effect is rather cubistic.
Ergo, more visits.
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Liquin impasto
I've been using this with most works lately, sometimes balancing it with linseed oil; I like the oatmeal effect it has.
It is made by Winsor and Newton and comes in a tube, having the consistency (more or less) of toothpaste. It speeds drying times quite dramatically, making transportation of paintings easier.
I usually mix it into white, as I use white with most of the paints, and thus some Liquin will be present in almost the entire painting.
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