Sunday, December 20, 2020

Annual Review 2020

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2020



Pale tree



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Travels


There was one long trip to central Chile.

The Chile trip was a bit strange. I was mostly unhappy for mysterious reasons. Perhaps, because of that I didn`t miss the travel restrictions that Corona virus brought (though as I type I feel a sudden strong melancholy urge to be in New York, where you feel quite free in a way I don't sense anywhere else).

Anyway, I did a few good paintings, including these:





Melipueco, Chile, with itinerant, oil on card 25 x 22 cm






Gardens, Villarrica, Chile, oil on card, 20 x 22 cm





I had intended to do Patagonian Chile in January coming, but that is not possible. 

I had an exhibition at UDESC, the state university, but it was closed after the first few days due to COVID. The exhibition itself was badly managed by CEART, who did everything at the last minute in a a slapdash, even contemptuous fashion. There is a lot of fuss being made about cuts to arts in Brazil, but if this agency is typical, and I fear it might be, then they do not deserve to receive public funds.  

With COVID, the automatic clamouring for public funds among artists was incredible. It seemed inconceivable to  many artists, who eagerly signed ´petitions demanding state assistance, that they might work doing whatever was required to pay rent. Many appeared to believe that society should treat them as essential labour in the same level as police or medical workers.

 I worked very steadily and efficiently in Florianopolis, on the island, increasing the size of paintings, the brightness of their colours, and, I feel, using social isolation constructively.




On the way to Cacupe, settlement
 oil on card, 24.3 x 29.7 cm




The dunes, a rise, oil on card, 20 x 25 cm


I am very happy with this one (above).




Trees by a lake, Winter, Lagoa, oil on card, 28 x 25.8 cm








Above Lagoa, early July, 2020, oil on card 26 x 28 cm




I started to visit the rocky coastline on the south of the island. It's fairly quick to get to on the new road:



Rocks, sea, sky Armacao, oil on card, 26 x 28 cm





I also occupied my time with taking photographs, and writing short essays.

 Thus, the year passed.

 I like being alone and did not suffer as much as I usually do. I found the empty streets pleasing and the silence calming. I don't like shopping or crowds so their absence made me happier. I enjoy thinking and I resolved some things about where to live and what to do with the next bit of my life.

I am 51 and it seems that I am entering some other life phase, one characterised by greater self assurance and settlement. I also realised something very obvious, which is that much of what happens to us is arbitrary, and we have only some control over how much and how we interact with this. Ergo, there is little sense in getting too worked up about anything much, though it is wise, of course,  to take precautions.

You will quite possibly think how platitudinous and I daresay you might have a point, but personally speaking, until recently such banal truths were never as obvious to me as they ought to have been and they do therefore have some consequence for me.  

And, slightly wiser, I advance into 2021.


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Social Media


Flickr

I'm not a member any more and I can't post new images as I have reached their non-member limit. 2.3 million all time views. I have 952 followers: a slight decrease from 959.


Blogger

There are 84 people listed: the same as ever. Why does this never increase? Presumably because my Blog can be tracked in other ways, and it isn't necessary for followers to declare themselves. 

Looking at the statistics page with its graphs, for the last 12 months I see: 25,700 visitors, with a peak day on 7 August with 426 views. 

Top countries in terms of percentages are Italy (32%) USA (32%); Russia (4%); UK (4%); Turkmenistan (4%). In absolute numbers: Italy (8.18K); USA (8.15K); Russia (1.16K); UK (1.07K); Turkmenistan (930);

It is surprising how low the UK is, and how high Italy.   


Instagram

There are 287 followers, up from 221. This site is very good for introducing people to your work. It is very easy to use, with excellent editing functions and keywording so you can link your work to that of others. 

I also have an Instagram Account dedicated to photography. It has 46 followers: tderegowskiphotos


Twitter

I have 238 followers. Down a little from 247. I never use this site as I find it dominated by an unpleasant style of discourse. In any case, it isn't really for showing pictures.


Saachi and other sales

There were no sales with Saachi. There was one sale this year, of a Moroccan painting.



A lane, Marrakech, oil on card, 16 x 15.5 cm   SOLD



Facebook

I continue to use this excellent site to talk about art and photography. It is a very good site for artists to use, as through it's "pages" you can create bridges between your personal and creative existences. 


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The future


I move house shortly and, that resolved, and the vaccine available, normal life can perhaps resume. For me that means going at some point to the UK, most likely in late Spring. Then, if at all possible, a visit to Andalucia. But that is in the hands of the Gods.



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Thursday, December 3, 2020

Distant rocks, Armação

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Armação, distant rocks, oil on card, 26 x 28 cm  unavailable




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Wednesday, December 2, 2020

A curled leaf

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Curled leaf



Something I like about this is how much it resembles a piece of Art Nouveau ironwork. Those arabeques are so satisfying.



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Saturday, November 28, 2020

Society of Scottish Artists: 30 x 30 online exhibition

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This is a link to the Society of Scottish Artists online showing of small, 30 x 30 cm or smaller, works. 

I am showing a Moroccan picture.


https://sca-net.org/event/ssa-30-x-30-online-edition/


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Trees near a church, Trindade

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Trees near a church, Trindade, oil on card, 26 x 28 cm



It is getting very hot, and even when painting in the shade one returns sun-dizzy.

 It may be time to start painting still lives again, perhaps flowers...



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Friday, November 27, 2020

Segments of rock

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Segments of rock by Doces Campestrini




These are small sections of sticks of rock. I had already chosen and bagged some sweets, but then I saw these, so beautiful next to the cash desk: I had to get them too. 

The flavors are okay. They really belong to a pre-modern, pre-clinical age of sweet manufacture, and are a little unsophisticated. The orange is acceptably Kia-Ora orangey- slightly fizzy (like Spangles, if you remember them?). The green is convincingly apple-ish. The white one has a buttermilk flavour that does take one a little by surprise. Best is the pink which does a solid sex steamy strawberry kiss: a real behind the bike shed snog to boast about on the bus home.

Like many sweets you want to chew them the instant they arrive in your mouth. Usually I'd counsel against this but with these sweeties I'd suggest that this was the right way to go about extracting the best flavour: to crush them between your molars in a prompt, unprincipled manner. 

The thing that got me, really got under my skin and made me impulse buy was the green. That emerald green really just hit me smack in the eyes and I was smitten,  helpless. I became quite stupid and I had to take these sweeties home. 

You don't, these days see this colour often,. It's a bit out of date, and very fin de sciecle like peacock feathers or hippy communes in bottle green velvet jackets and  floppy fedoras. I love how it combines with the citric yellow and I love the nearly but not exact geometricity of it all, which reminds me of stencils. And, of course, broken gemstones.


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Thursday, November 26, 2020

A dog going somewhere

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A dog going somewhere




There is a short story here.



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