An essay on lost love and Armenian churches by Canadian director Atom Egoyan, who plays a photographer who has visited Armenia to photograph its churches and had a fling with his translator.
Definately arthouse: it probably has something to do with memory, loss, video tape, and the elusiveness of truth.
A film for those who like to sit and ask themselves, "I wonder what this fim is about?": others will find it extremely pretentious.
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