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Notes
-The skin of the mask is not smooth enough. Plaster of paris does not work as a filler because it is too brittle, and papier mache cannot be sanded. I think the best thing is to continue to add layers of very thin paper so the ridges formed by their edges isn't too great
-There must be a product that is like a sort of thick cream which can be used in these circumstances, to provide a smooth surface to craft items, but what exactly I don't know. It can be quite messy experimenting with these things, but perhaps pva mixed with plaster?
-I shall also add eyelids and better the nostrils.
-A possibility I didn't explore is to use cloth- muslin, I guess, over the wire.
-The wire I used is too thick, so that large "knots" are created when wires are joined.
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It's very enjoyable seeing the "personality" emerging from the mask. At what point is the thing finished?: the suggestive roughness of the mask in its current state is evocative.
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